Akinlolu
Akinlolu
The Crown Line
Akinlolu (The Warrior Is Wrapped in Grace) is forged, not fashioned. This is not an Agbada for the faint of presence—it is a regalia for those who move through the world with quiet magnitude. Cloaked in a dignified tone of imperial turquoise, Akinlolu is made for the man who commands without chaos, who has learned that restraint is the ultimate form of elegance. It is an ensemble for sovereigns—those whose confidence is inherited, not performed. Every inch of this garment has been conceived not for spectacle but for ceremony, not to impress but to consecrate.
At the center of Akinlolu lies an act of devotion: embroidery that does not decorate, but declares. Rendered in a luminous ochre gold, the threadwork blooms with sacred precision—invoking palm fronds, flame tips, and ancestral flora drawn from Yoruba iconography. The upper half of the panel swells with fullness, like wisdom passed down through generations; the lower half descends in golden vertical strokes that ground the garment in reverence. These lines are not ornamental—they are ritual inscriptions, rooting the garment between sky and soil. The wearer does not step forward in Akinlolu; he proceeds like an heir returning to his rightful post.
This Agbada is cut from a noble cotton blend with architectural weight and organic softness. The outer Agbada flows from the shoulders like a declaration, with wide wings that echo the presence of ancient kings. The awotele beneath is tailored with precision to frame the embroidery, anchoring the volume of the outer layer with form. The sokoto, discreetly tapered and exacting in fit, allows for both ceremony and motion—maintaining the garment’s composure whether seated in council or crossing thresholds. Paired with a perfectly matched Fila, Akinlolu is not clothing. It is a consecrated legacy stitched in cloth.
Tailored by Presence
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Outer Agbada (Awosoke):
Woven from a premium cotton blend, the outer Agbada flows with ceremony and structure. The fabric’s weight and weave allow it to drape in wide, architectural folds, forming strong shoulders and elegant volume. Designed to fall just below the knee with a mid-length sleeve, it commands presence without excess. The clean surface finish ensures the garment moves with the quiet grace of tradition fulfilled.Inner Garment (Awotele):
The awotele is tailored in matching fabric to create a seamless tonal base. Its neckline is clean and slightly elevated, offering a contemporary silhouette that subtly frames the embroidery. Designed for comfort and structure, the awotele provides the perfect canvas for the chest panel to shine, and ensures the outer garment maintains poise and polish in movement.Trousers (Sokoto):
The sokoto is crafted with precision—a straight cut with light tapering to retain sharpness beneath the flowing layers of the Agbada. A hidden drawstring and side zipper offer adaptability and comfort, while the full set remains breathable and wearable for extended ceremonial or celebratory occasions. -
Akinlolu is cut from a high-quality cotton-rich blend, chosen for its ability to marry structure and softness. The weave is firm enough to retain the sculptural drape of the Agbada, yet soft enough to move in harmony with the body. This balance allows Akinlolu to wear like a robe of honor—comfortable, commanding, and enduring.
The embroidery is executed in golden ochre thread, using a layered stitch technique that gives each motif both dimensionality and tactility. The thread was selected for its muted luster—reflecting light with subtlety rather than shine. The motif itself is inspired by sacred Yoruba flora and symbols of divine rootedness, interpreted through a modern, elevated lens.
Material: Premium cotton-rich blend
Weave: Smooth structured weave with ceremonial drape
Finish: Matte with a soft reverent sheen
Weight: ~200 gsm
Color: Imperial Turquoise with Ochre Gold embroidery
Total Garment Weight: ~1.7 kg (including embroidery and full set)
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Care Instructions: Dry cleaning is strongly recommended. For best results, use a professional service experienced in working with embroidered textiles. Avoid pressing directly on the embroidery—use a pressing cloth or opt for steam to preserve the texture and stitchwork.
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